By John Spitzer
Studies of live performance existence in nineteenth-century the United States have ordinarily been restricted to giant orchestras and the courses we're accustomed to at the present time. yet as this publication finds, audiences of that period loved way more different musical reports than this concentration might recommend. to listen to an orchestra, humans have been prone to head to a lager backyard, eating place, or summer time inn than to a live performance corridor. And what they heard weren’t simply symphonic works—programs additionally incorporated opera excerpts and preparations, instrumental showpieces, comedian numbers, and medleys of patriotic tunes.
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